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Tuesday 18 March 2014

Yadagirigutta Sri Laskhmi Narasimha Swamy Temple in Yadagirigutta

Yadagirigutta Sri Laskhmi Narasimha Swamy Temple:-


Yadagirigutta Temple is the abode of Sri Laskhmi Narasimha Swamy. The main deity of the temple is the incarnation of Lord Maha Vishnu. The origin of the Temple is mentioned in the Skanda Puranam, one of the 18 Puranas.

The Temple is located at a distance of 60KM from the Hyderabad city, capital of Andhrapradesh. The temple town is in Nalgonda District, Andhrapradesh, India.
The Yadagirigutta Temple is kind of popular and is busy during the year with completely different events of the God. The annual brahmotsavam is held in the month of  March, it includes Yedurkolu, The Celestial Wedding and Divya Vimana Rathotsavam. The birthday of Lord Narasimha is celebrated on 28 April per annum.

The temple sits regally on top of the Ralgiri Hill. The temple’s uniqueness comes from its sanctum sanctorum, which rests inside a cave, located under a massive rock. According to legends, a prince named Yadava, who was a devout believer of Lord Vishnu, prayed here ardently so that he would get a divine view of the Lord. The Lord was pleased with his prayers and worship and made a appearance. When this happened, the Yadava begged with the Lord to permanently reside on the hill, thus giving the hill its name, Yadagiri.
In Ancient days Sri Yada Maharshi son of Sri Rushyashrunga Maharshi with the Blessings of Anjaneya Swamy had performed great penance for Lord Narasimha Swamy. After securing blessing for his penance Lord Narasimha had come into existence in Five Avatharas called as Sri Jwala Narasimha, Sri Yogananda Narasimha, Sri Ugra Narasimha, Sri Gandaberunda Narasimha, Sri Lakshmi Narasimha.
As such this is known as “Pancha Narasimha Kshetram”. The devotees who worship this deity with devotion, the problems faced by them in regarding their “Graha”, the difficulties through evil spirits and their all mental problems are being cured by the God & Godess. All the difficulties faced by the devotees are being cured through herbal medicines like fruits, flowers and Tulasi Teertham. The devotees who believe the Lord.

About Temple:-


Sri Maha Vishnu Came from out of the pillar as per the desire of Bhakta Prahladha and killed Hiranya Kashyapa,who is father of Prahladha,who is beloved devotee of Maha Vishnu

In Ancient days Sri Yada Maharshi son of Sri Rushyashrunga Maharshi with the Blessings of Anjaneya Swamy had performed great penance for Lord Narasimha Swamy. After securing blessing for his penance Lord Narasimha had come into existence in Five Avatharas called as Sri Jwala Narasimha, Sri Yogananda Narasimha, Sri Ugra Narasimha, Sri Gandaberunda Narasimha, Sri Lakshmi Narasimha. As such this is known as “Pancha Narasimha Kshetram”. The devotees who worship this deity with devotion, the problems faced by them in regarding their “Graha”, the difficulties through evil spirits and their all mental problems are being cured by the God & Godess. All the difficulties faced by the devotees are being cured through herbal medicines like fruits, flowers and Tulasi Teertham. The devotees who believe the Lord. He is appearing to them in their dreams and conducting operations also.


Significance:-

Yadagirigutta is a census town in Nalgonda district in the Indian state of Andhra Pradesh.
In Tretayugam, there lived a sage by the name of Yadarishi, son of the great sage Rishyasrunga and Santa Devi who did penance inside a cave with the blessings of Anjaneya (Hanuman) on this hill between Bhongir (Bhuvanagiri) and Raigiri (Now in Nalgonda district of Andhra Pradesh, India). Pleased with his deep devotion, Lord Narasimha, an incarnation of Lord Vishnu appeared before him in five different forms as Jwala, Yogananda, Gandabherunda, Ugra and Lakshminarasimha. They later manifested themselves into finely sculpted forms that later came to be worshiped as Pancha Narasimha Kshetram.

There are Purana and traditional accounts of this Shrine, which are widely popular among the devotees. There is mention about the origin of this temple in the Skanda Purana, one of the famous 18 puranas

Another Legend also has it that Sriman Narayana, pleased with YadaRushi penance, sent Sri Anjaneya to direct the rishi to a holy spot, where the Lord appeared to him in the form of Sri LakshmiNarasimha. This spot is marked by a temple located at the foot of the Yadagiri hillock, and is located about 500 meters from the present temple. There the sage worshiped the Lord for many years.

After Yadarishi attained moksha, a number of tribals, Knowing of the Lord’s presence, came to worship Him at this temple. But, not being very learned, these devotees began to engage in improper worship. Because of this, Sri LakshmiNarasimha moved into to the hills. The tribals searched for many years to find their Lord, to no avail.

After many years had passed, the Lord appeared in the dream of a devout lady among the tribe, directing her to a large cavern wherein He revealed Himself to all as five majestic Avatars.The Aradhanam and Puja in this temple are performed according to Pancharatra Agamam. The puja vidhanam (Worship procedure) was set by Late Sri Vangeepuram Narasimhacharyulu who composed Yadagiri Suprabhatam, Prapatti, Stotram, Mangalashasanam and served as Sthanacharya of this temple.

As the legend goes, the Lord appeared first as Jwala Narasimha (Lord as a flame), when Yadarishi was unable to face the intensity of this apparition, he appeared in a peaceful form as Yoganarasimha (Lord in a Yogic Padmasana posture with open palms on the knees). Not satisfied with the Lord appearing alone, Yadarishi sought to see him with this consort, so Lord is said to have appeared with Lakshmi on his lap, known as Lakshmi Narasimha Swamy. To see these three forms one has to go through an entrance that narrows itself into a dark cave. Interestingly, the cave is formed under a huge rock, which forms a sloping roof into a height of just 5-ft in the middle for the passage inside. While going through this constricted passage one has to necessarily lower the head slightly. Thus the very natural formation of the cave itself makes one bow involuntarily to the Lord.

At the end of the cave, there are the actual images of the Lord. One can see two rocks fastened to each other and forming a vertical cup of about one -foot between them. On the other side of the rock, we can see the image in the shape of a serpent head and ending like its tail. This is said to be the aspect of God known as Jwala Narasimha, first manifestation of Lord. Popular tradition has it that a divine serpent still moves about the image. On the opposite rock, there is another image of Lord seated in meditation (Padmasana posture) which is the image of Yogananda Narasimha, the second manifestation of Lord, along with the The third manifestaion as Lakshmi Narasimha on the same rock. The fourth form, Ugra Narasimha(Fiery form of Narasimha), reveals His Fierce Mouth to us as the wide entrance to the cavern itself because it was beyond the strength of a sage to see that form and Gandabherunda ( the garuda pakshi or the eagle) is the fifth form of the Lord which is said to have been found sculpted in rock underneath the Anjaneya, known as ‘Kshetrapalaka’ (or the one who ruled over that hill). This form is known only by the presence of an eternal lamp that burns within a crevice underneath Sri Anjaneya sannidhi. All these forms are known as “swayambhu” or self emanated. As these rupams of the Lord are sometimes difficult to see in the small crevice inside the cavern that serves as His sannidhi, Lord Narasimha and Lakshmi stand together as large silver utsava murthis as Sri LakshmiNarasimha. It is this form of the Lord and Lakshmi that are known and adored by all the devotees visiting the Temple. Yadarishi is said to have been granted his wish that the place where the Lord appeared will be known by his name as Yadagiri (giri means hill in Sanskrit, and gutta which means a hillock in Telugu seems to have been a latter-day suffix) and that Lord Lakshmi Narasimha will be worshipped for many years to come.

Structure:-

After many years had passed, the Lord appeared in the dream of a devout lady among the tribe, directing her to a large cavern wherein He revealed Himself to all as five majestic Avatars.Pleased with his deep devotion, Lord Narasimha, an incarnation of Lord Vishnu appeared before him in five different forms as Sri JwalaNarasimha ,Sri Yogananda, Sri Gandabherunda, Sri Ugra and Sri Lakshminarasimha. All these five forms (roopas) are presently worshipped within the temple. They later manifested themselves into finely sculpted forms that later came to be worshiped as Pancha Narasimha Kshetram. There are Purana and traditional accounts of this Shrine, which are widely popular among the devotees. There is mention about the origin of this temple in the Skanda Purana, one of the famous 18 puranas.

Glowing bright atop the sikharam of garbha griha (Sanctum Sanctorum) of this cave temple is the golden Sudarshana Chakra (about 3 ft x 3ft) of Lord Vishnu (whose reincarnation is Lord Narasimha), the adornment as well as the weapon is a symbol this temple is identified by from as far away as 6 km. It is said that many years ago the chakra moved in the direction from which the devotees came as if like a compass guiding them towards the temple.The Chakra Considered to posses mystic power and value, at times turns on its own ; no human hand is capable of turning it. Another Legend also has it that Sriman Narayana, pleased with Yada's penance, sent Sri Anjaneya to direct the rishi to a holy spot, where the Lord appeared to him in the form of Sri LakshmiNarasimha. This spot is marked by a temple located at the foot of the Yadagiri hillock, and is located about 5 km from the present temple. There the sage worshiped the Lord for many years.


After Yadarishi attained moksha, a number of tribals, hearing of the Lord's presence, came to worship Him at this temple. But, not being very learned, these devotees began to engage in improper worship. Because of this, Sri LakshmiNarasimha moved into to the hills. The tribals searched for many years to find their Lord, to no avail.

After many years had passed, the Lord appeared in the dream of a devout lady among the tribe, directing her to a large cavern wherein He revealed Himself to all as five majestic Avatars.

The Aradhanam and Puja in this temple are performed according to Pancharatra Agamam. The puja vidhanam (Puja procedure) was set by Late Sri Vangeepuram Narasimhacharyulu who composed Yadagiri Suprabhatam, Prapatti, Stotram, Mangalashasanam and served as Sthanacharya of this temple.

History of Yadagiri Temple:-



In Tretayugam, there lived a sage by the name of Yadarishi, son of the great sage Rishyasrunga and Santa Devi who did penance inside a cave with the blessings of Anjaneya on this hill between Bhongir(Bhuvanagiri) and Raigiri (Now in Nalgonda district of Andhra Pradesh,India). Pleased with his deep devotion, Lord Narasimha, an incarnation of Lord Vishnu appeared before him in five different forms as Jwala, Yogananda, Gandabherunda, Ugra and Lakshminarasimha. They later manifested themselves into finely sculpted forms that later came to be worshipped as Pancha Narasimha Kshetram.

As the legend goes, the Lord appeared first as Jwala Narasimha (Lord as a flame), when Yadarishi was unable to face the intensity of this apparition, he appeared in a peaceful form as Yoganarasimha (Lord in a Yogic Padmasana posture with open palms on the knees). Not satisfied with the Lord appearing alone, Yadarishi sought to see him with this consort, so Lord is said to have appeared with Lakshmi on his lap, known as Lakshmi Narasimha Swamy. To see these three forms one has to go through an entrance that narrows itself into a dark cave. Interestingly, the cave is formed under a huge rock, which forms a sloping roof into a height of just 5-ft in the middle for the passage inside. While going through this constricted passage one has to necessarily lower the head slightly. Thus the very natural formation of the cave itself makes one bow involuntarily to the Lord.

At the end of the cave, there are the actual images of the Lord. One can see two rocks fastened to each other and forming a vertical cup of about one -foot between them. On the other side of the rock, we can see the image in the shape of a serpent head and ending like its tail. This is said to be the aspect of God known as Jwala Narasimha, first manifestation of Lord. Popular tradition has it that a divine serpent still moves about the image. On the opposite rock, there is another image of Lord seated in meditation (Padmasana posture) which is the image of Yogananda Narasimha, the second manifestation of Lord, along with the The third manifestaion as Lakshmi Narasimha on the same rock. The fourth form, Ugra Narasimha(Fiery form of Narasimha), reveals His Fierce Mouth to us as the wide entrance to the cavern itself because it was beyond the strength of a sage to see that form and Gandabherunda ( the garuda pakshi or the eagle) is the fifth form of the Lord which is said to have been found sculpted in rock underneath the Anjaneya, known as 'Kshetrapalaka' (or the one who ruled over that hill). This form is known only by the presence of an eternal lamp that burns within a crevice underneath Sri Anjaneya sannidhi. All these forms are known as "swayambhu" or self emanated. As these rupams of the Lord are sometimes difficult to see in the small crevice inside the cavern that serves as His sannidhi, Lord Narasimha and Lakshmi stand together as large silver utsava murthis as Sri LakshmiNarasimha. It is this form of the Lord and Lakshmi that are known and adored by all the devotees visiting the Temple. Yadarishi is said to have been granted his wish that the place where the Lord appeared will be known by his name as Yadagiri (giri means hill in Sanskrit, and gutta which means a hillock in Telugu seems to have been a latter-day suffix) and that Lord Lakshmi Narasimha will be worshipped for many years to come.

There are Puranic and traditional accounts of this Shrine, which are widely popular among the devotees. There is mention about the origin of this temple in the Skanda Purana, one of the famous 18 puranas.

Glowing bright atop the sikharam of garbha griha(Sanctum sanctorum) of this cave temple is the golden Sudarshana chakra (about 3 ft x 3ft) of Lord Vishnu (whose reincarnation is Lord Narasimha) the adornment as well as the weapon is a symbol this temple is identified by from as far away as 6 km. It is said that many years ago the chakra moved in the direction from which the devotees came as if like a compass guiding them towards itself.

Lord Narasimha is believed to have been worshipped by sages (rushis). The region of Yadagirigutta is reputed to be a "Rushi Aradhana Kshetram" or the place of worship for sages .

As the belief goes, Lord Narasimha has taken on the role of a "doctor" and is known as "Vaidya Narasimha" by his devotees at this shrine to cure many chronic diseases and the role of a 'do gooder' to those who are under the influence of bad planets, witch craft and black magic. Many instances are cited of the Lord appearing in the dreams of the devotees, and administering medicines and operated the patients and blessed them with good health. Many devotees tell of vivid dreams in which the Lord comes to heal them from chronic or terminal illnesses, and even mental or emotional problems. A mandala (40 day) pradakshina is very popular made by many a devotee cured of a long standing ailment or chronic disease. Often times, the Lord Himself has imparted mantrOpadEsham to select devotees in their dreams.

Another Legend also has it that Sriman Narayana, pleased with YAda's tapas, sent Sri Anjaneya to direct the rishi to a holy spot, where the Lord appeared to him in the form of Sri LakshmiNarasimha. This spot is marked by a temple located at the foot of the Yadagiri hillock, and is located about 5 km from the present temple. There the sage worshipped the Lord for many years.

After Yadarishi attained mOksham, a number of tribals, hearing of the Lord's presence, came to worship Him at this temple. But, not being very learned, these devotees began to engage in improper worship. Because of this, Sri LakshmiNarasimha moved into to the hills. The tribals searched for many years to find their Lord, to no avail.

After many years had passed, the Lord appeared in the dream of a devout lady among the tribe, directing her to a large cavern wherein He revealed Himself to all as five majestic Avatharams.

The Aradhanam and Puja in this temple are performed according to Pancharatra Agamam. The puja vidhanam (Puja procedure) was set by Late Sri Vangeepuram Narasimhacharyulu who composed Yadagiri Suprabhatam, Prapatti, Stotram, Mangalashasanam and served as Sthanacharya of this temple.

Beliefs:-

As the belief goes, Lord Narasimha has taken on the role of a "doctor" and is known as "Vaidya Narasimha" by his devotees at this shrine to cure many chronic diseases and the role of a 'do gooder' to those who are under the influence of bad planets, witch craft and black magic. Many instances are cited of the Lord appearing in the dreams of the devotees, and administering medicines and operated the patients and blessed them with good health. Many devotees tell of vivid dreams in which the Lord comes to heal them from chronic or terminal illnesses, and even mental or emotional problems. A mandala (40 day) pradakshina is very popular made by many devotees to get cured of a long standing ailment or chronic disease. Often, the Lord Himself has imparted mantrOpadEsham to select devotees in their dreams.

Narasimha and Adi Shankara:-

It is believed by followers that Narasimha protects his sincere devotees when they are in extreme danger. Near Srisailam, there is a forest called Hatakeshwanam that no man enters. Shankaracharya entered this place and did penance for many days. During this time, a Kapalika, by name Kirakashan appeared before him. Kapalikas are a set of people who live in the burial grounds and pray to God by giving human and animal sacrifice. They were against Vedanta system of Adi Shankara which preaches love and affection and shuns violence. He told Sri Sankara that he should give his body as a human sacrifice to Kali. Shankara was happy to hear this request and agreed. His disciples were shocked to hear this and pleaded Shankara to change his mind but Shankara refused to do so saying that it was an honour to give up his body as a sacrifice for Kali and one must not lament over such things. The Kapalika arranged a fire for the sacrifice and asked Shankara to sit beside it. Just as he lifted his axe to severe Shankara's head, Lord Vishnu as Narasimha entered the body of Shankaracharya's disciple, Padmapada, who was a devotee of Narasimha, and fought the Kapalika, slayed him and thus freed the forest of Kapalikas. Thus Adi Shankara composed the very powerful Lakshmi-Narasimha Karavalambam Stothram at the very spot in front of Lord Narasimha.

 Places to visit:-

1)  Pushkarini Sri Anjaneya Swamy Temple(uphills)

2)  Sri Ramalingeshwara swamy temple  (uphills at entrance of east side)

3)  Sri Ramalayam. (beside Radha Shala uphills)

4)  Sri Patha Lakshmi Narasimha Swamy Temple :-

This temple is situated a  Village Named  Peddireddy  Gudem which is 2 K.M. for from this temple.  Since this temple is very  old one to original Sri Lakshmi Narasimha Swamy Devasthanam,  and it  is called as Patha Lakshmi Narasimha Swamy Temple.

This  deity is also forms in stone, and having all similar Kainkaryams / Uthsavams through out the year.  Recently this temple  was renovated and having good appearance. With funds of S.L.N.S.Devasthanam yadagirigutta as its maintained is named with its kshetram.

Temple Timings:-

Yadagirigutta Sri Laxmi Narasimha Swamy Temple is opening at 4.00 a.m. with suprabatham every morning and it will be closed by 9.30 p.m. detail schedule is as follows :

Morning:-

Suprabhatam 04-00 am to 4-30 am
Binde teertam 04-30 am to 5-00 am
Bala Bogam 05-00 am to 5-30 am
Nijabhishekam 05-30 am to 6-30 am
Archana 06-30 am to 7-15 am
Darshnams for all 7-15 am to 11-30 am
Maharaja Bogamu 11-30 am to 12-30 am
Darshanams 12-30 am to 3-00-pm
Dwarabandanamu (close) 03-00 pm to 04-00 pm

Evening:-

Special Darshnams 04-00 pm to 5-00 pm
Darshnamas for all 05-00 pm to 7-00 pm
Aaradhana 07-00 pm to 7-30pm
Archana 7-30 pm to 8-15 pm
Darshnams for all 8-15 pm to 9 -00 pm
Maha nivedhana 9-00 pm to 9-30 pm
Shayanostavams 9-30 pm to 9-45 pm
Temple close 9-45 pm

Note:-

These timings are based on the media sources and placed here for convenience of the visitors to plan their program. These timings may change, or modify as per temple norms in Festival days / Religion occasion / Holidays or any other occasion. Kindly re-check with the temple authorities for exact timings.

 Festivals & Fairs:-

Every year Sri Swamy vari Brahmothsavams are being performed during the months of Palgunam i.e. from Shudha Vidiya to Dwadasi for (11 ) days (normally in Febrauary & March).

 During the Brahmothsavams cultural programs like Harikathas, Bajans, Vocal recites, Upanyasams, Bharatha Natyams and Dramas will be arranged with the well known artists and Scholars from the different places.

 The programs Will also be arranged at the time of Narasimha Jayanthi(which comes in the Month of Vaishakha). Shudha Chathurdashi. i.e May Various Parayanams like Nalayana prabhandhams, parushams Ramayan, Maha Bharath , Bhagawath Geetha, Kshetra Mahathyam, etc Will be arranged at the time of Brahmothsavams and Jayanthi. The Peethadhipathis & Mathadhipathis who visits this temple will also given their Pravachanams to the Devotees.

 Important Festivals Celebrate:-

Annual Brahmothsavams from Shudha Vidiya to Dwadasi for (11 ) days

(normally in Febrauary & March).

Sri Narasimha Jayanthi Vysakha Sudha Dwadasgu to Chathurdashi

•Vykunta Ekadashi & Adhyayanothsavams

•Pavithrothsavams

•Ramanuja Thirunakshathram.

•Nammalvar Thirunakshathram

•Manavala Mahammavari Thirunakshatram

•Thirumanjari alwar Thirunakshatram

•Thiruppavari alwar Thirunakshatram

•Andal Thirunakshatram

•Sri Krishna Janmastami

•Margali Masam

•Sri Rama Navami

•Maha Shiva Rathri

•Devi Navarathrulu

•Hanumath Jayanthi

•Annakutothsavam.

How to reach:-

By Raod:-

Yadagirigutta is about 60 km (approx. 38 miles) from Hyderabad and is well connected by Road.

By Air:- 

Hyderabad : Rajiv Gandhi International Airport (83 Kms).

By Train:-

 Bhongir Railway Station (13 Kms), Hyderabad (60 Kms).

Friday 7 March 2014

The World Heritage place of Airavatesvara Temple at Darasuram in Tamilnadu

Airavatesvara temple at Darasuram:-



It is one of the The Great Living Chola Temples built between 10th and 12th centuries CE. The other two temples are at Thanjavur and Gangaikonda Cholapuram and have a lot of similarities. The legend is that Airavata, the white elephant of Indra, worshipped Lord Siva in this temple; so did also the King of Death, Yama. Tradition has it that the presiding deity Airavateswarar cured Yama himself (the God of Death) who was suffering under a Rishi’s curse from a burning sensation all over the body. Yama took a bath in the sacred tank and was rid of the burning sensation. Since then the tank is known as Yamateertham.

Lord Siva is known as Airavatesvara in this temple. It is said that Airavata, , the white elephant of the king of gods, Indra, worshipped Lord Shiva to get cured while suffering from a change of colour curse from Sage Durvasa. Airavata got its colour back by bathing in the sacred waters of this temple. From this event, the temple and the presiding deity derived its name.

This temple is the finest example of Dravidian Architecture. That has got a lot of decorated pillars and walls which are adorned with the images of NagaRaja, The King of snakes and Dhakshinamurthy (The Lord facing south) and Lord Shiva with exquisite details. Airavatesvara Temple is an archetypal pattern of Cholas Art and Architectures.

 The United Nations Educational, Scientific and Cultural Organisation (UNESCO) has declared the Brihadisvara Temple of Gangaikondacholapuram in Perambalur district and the Airavatesvara Temple of Darasuram in Thanjavur district "world heritage monuments," two examples of grandeur and excellence of Chola architecture and sculpture.

This was announced on Friday at the ongoing session of UNESCO's World Heritage Committee at Suzhou, China, according to the UN body's web site.

Three all stone temples, built by the Chola Kings, which are architectural marvels, exist at Thanjavur, Darasuram near Kumbakonam and Gangaikondacholapuram in Perambalur district. The uniqueness of all these three temples is that they are similar in architecture, style and are replete with sculptures and epigraphs.

The Big temple at Thanjavur was built by Raja Raja Cholan. It is big in all aspects with a 212 feet vimana, a big nandhi at the entrance, big linga, and a big Goddess Periyanayagi statue.

The temple is full of rare sculptures, chola period paintings, epigraphs that give details about the history of Raja Raja Cholan. His son Rajendra Cholan built the Big temple at Gangaikondacholapuram. The Airavatesvara temple at Darasuram near Kumbakonam was built by Raja Raja II (1150 A.D.).

Out of the three, Airavatesvara temple at Darasuram stands out for its intricate, beautiful sculptures. The temple in the form of a chariot being pulled by an elephant and horse with a fleet of steps is no doubt a repository of our art and culture.



The biggest highlight of the Darasuram temple is one of the set of steps next to the first structure. These steps when tapped make amazing musical sound. It is dedicated to Lord Shiva. The temple is a World Heritage Monument and was constructed by Raja raja II in the 12th century. Reflecting the rich heritage of art and architecture of Tamil Nadu, the temple is located at a distance of 3 km from Kumbakonam town. Its history dates back to the rein of the Cholas. The shrine houses a linga named Airavatesvarar. The legend goes that the Linga was worshipped by the Devendra's elephant named Airavathan and hence the temple derived its name from them. This stone architecture boasts of several beautiful and graceful sculptures. The temple has a tank whose waters  believed to have curative powers. Make sure you take a bath in the tank on your visit to the temple.

The presiding deity here is Airavateeswara (Siva) and His consort is Periyanayaki. The legend is that the deity here was worshipped by Airavata (elephant), the mount of Indra. There are also shrines dedicated to Sarabeshwarar

The Nandi found outside the temple is huge and there are a few steps near it which produces musical notes when tapped. It is protected with a mesh presently.

Great care is being taken to maintain the exterior as well as the interior . Lush green lawns stands apart with fine contrast to the pink sand stone temple.

Deities:-

The main deity's consort Periya Nayaki Amman temple is a detached temple situated to the north of the Airavateshvarar temple. This might have been a part of the main temple when the outer courts were complete. At present, it stands alone as a detached temple with the shrine of the Goddess standing in a single large court.


Legend:-


The legend is that Airavata, the white elephant of Indra, worshipped Lord Siva in this temple; so did also the King of Death, Yama. Tradition has it that the presiding deity Airavateswarar cured Yama himself (the God of Death) who was suffering under a Rishi’s curse from a burning sensation all over the body. Yama took a bath in the sacred tank and was rid of the burning sensation. Since then the tank is known as Yamateertham. It gets its supply of fresh water from the river Kaveri and is 228 feet in width. Pilgrims make a point to bathe in the tank. In the recent past Raja Raja Chola and Karikala Chola worshipped the Siva Lingam in this temple. Volume II of the South Indian Temple Inscriptions deals with a number of endowments of the Pandya Kings also (see pages 556 to 562). On the temple walls these inscriptions are given, from which it is seen that the temple was known in those days as Raja Rajeswararn and Raja Rajapuram. Two such inscriptions are copied here.
Inscription No. 563 at page 557. No. 23 of 1908 on the inner Gopura of the temple, right of entrance. Record dated in the 10th Year, Tai 11, of the reign of the Pandya King Maravarman alias Tribhuvana Chakravartin Srivallabhadeva registering the provision made for repairs and for celebrating festivals in the temple of XXXI Ra (ja) ra (ja) isuram Udaiyanayanar, by the residents of Uttattur-nadu, a sub-division of Kulottunga-valanadu.
Inscription No. 564 at page 558. Record dated in the 31st Year, Makara, Ba. Dvitiya, Uttarashada (probably a mistake for Uttaraphalguna) of the reign of the Chola king Tribhuvana Ghakravartin Sri RAJARAJADEVA registering the grant of land (Irandu Ma mukkani araikkani) 23/160 of a veli to meet the expenses of worship, offerings, etc., to the God by a native of Peruchchalipuram, a village in Kilar-kurram, a sub-division of Pandyakulapati-valanadu.

As originally Airavata worshipped the Lingam, the Lingam is named after him as Airavateswara. The Goddess in this temple is known as Deva Nayaki. Whatever remains of the sculptural part of the temple is on the inside wall of the outer prakaram, about a foot from floor level. ‘The carvings contain different poses of gymnastic feats seen in the modern circus, shown by females keeping their head at the centre and legs interwoven in such a skillful way as to form the circumference of a circle. It may be a depiction of the present-day gypsy tribe entertaining villagers with gymnastic shows and dancing poses. Such gypsies are still to be seen visiting the interior villages of the country. Very many styles of physical feats shown by both men and women have been carved in the stone.


With heavily ornamented pillars accurate in detail and richly sculpted walls, the Airavateswara temple at Darasuram is a classic example of Chola art and architecture.
The main mantapa is called Raja Gambira as the elephant draws the chariot. The wheels were put back by the ASI at a later date. The ceiling has a beautiful carving of Shiva and Parvathi inside an open lotus. All the dancing poses of Bharatanatyam are carved in the stone. They are referred to as the Sodasa Upasaras. There is a carving showing the village womenfolk helping in the delivery of another female, who has both her hands on the shoulders of the two ladies, who are pressing their hands and the abdomen of the lady to help her deliver. ‘These are very skillful and artistic works of superb style. This may give a glimpse into the social conditions of the past. The stone image of Ravana carrying Kailas is a fine specimen of workmanship.
One finds sculptures of Buddha, Bhikshatana, Saraswathi without her Venna, and a sculpture of Ardhanarishwara Brahma and Surya.

It was during this time that Shaivism took a very drastic step and lord Sarabeshwara would seem to have come into existence. Many reasons have been cited for this incarnation of Lord Shiva. Saraba has the face of a lion and the body of a bird and has placed on his lap the mighty Lord Narasimha. A mantapa has been specially built for lord Saraba, and thereafter has been installed in temples.


The paintings on the walls have been repainted during the Nayak periods.
At the very entrance to the temple two Dwarapalakas, Sankhanidhi and Padmanidhi, are imposing figures, giving vivid anatomical expressions of the exuberance of youth. In front of the temple, there is a small mandapa, which can be reached by three steps in the form of a ladder. The steps are stones, which give different musical sounds when tapped. All the seven swaras can be had at different points.

Construction of Temple:-




The temple was bilt by Rajaraja II. The temple is called Rajarajesvara in inscriptions of 12th century AD. Later inscriptions, of the 14th and end of the 15th century, give it the name Irarasuram. The name c does not appear before the drafting of the sthala purana, in the 15th or 16th century. It is not known exactly when the site began to be called Darasuram. At the time of the construction of the temple by Rajaraja II, the locality was called Rajaraja vilagam, and then, during the occupation of the region by the Pandhyas, Rajasuram, derived from Rajarajesvaram, which later gave Darasuram.

Airavatesvara temple is generally considered as one of the four great Cola temples because of its imposing dimensions, characteristic too of the Brihaddesvara temple of Tanjavur (built by Rajaraja I, 985-1014) and of Gangaikondacolapuram (built by Rajendra I, 1012-1044) as well as of Kampaharesvara of Tribhuvanam (Kulottunga III, son of Rajaraja II, 1178-1218). It is more specifically considered to be the model of the temple of Tribhuvanam.

The earliest inscription of the Airavatesvara indicates that it was finished by 1167 AD. The site of the construction was obviously not chosen for its religious prestige or for its antiquity but rather for its situation near Palaiyarai, the capital. This temple, founded by the royal dynasty, has not known any intense religious life but is still active.

Medieval Colas ruled from the mid-9th ti the 13th centuries AD. Many temples were built under their patronage. The portraits of kings and queens in stone or metal are found in temples of this period. Colas worshiped their royal ancestors and built temples and mandapas in their honor. Thus, the concept of "royal shrines" became common during their age. Those royal shrines were located in or near the royal capitals and were built under personal care and supervision of the ruler. The king and the members of royal families regularly worshipped in those temples. The temple was regarded as the symbol of royal power and prestige.

The first royal shrive is Vijayalayacola Isvara temple at Narthamalai near Pudukkottai. It was built by Vijayalaya, the first king of Medieval Cola dynasty, in the middle of 9th century. The second major Cola royal shrine is Brihaddesvara temple of Rajaraja I. The next royal shrine was built at Gangaikondaicolapuram By Rajendra I, the son of Rajaraja I.

Airatesvara temple at Darasuram erected by Rajaraja II (1150-1173 AD) and Kumpaharesvara temple at Tribhuvanam built by Kulottunga III (1178-1218) are the other royal Cola shrines.

The very name of each temple testifies elevation of the kingship to divinity. These temples and chief deities therein have been named after their respective builder-kings. The deity in Vijayalayas temple is Vijayalayacola Isvara (the God of Vijayalaya Cola). Similarly, the main Sivalinga in Rajendras temple is Gangaikondacola Isvara (the Lord of Gangaikindacola, i.e. Cola who conquered the Ganga; this title was given to Rajendra after his conquest of Northern kingdoms on the banks of Ganga).

Chief deity of Airavatesvara temple of Darasuram is (among the other names) is called as Rajarajesvara, after its builder Rajaraja II. Kampaharesvara temple in Tribhuvanam is also known as Tribhunaviresvaram after its builder who assumed the title Tribhuvana Vira Devar (the bold ruler of the three worlds) after he won the Pandhyas of Madurai in three successive wars.

The practice of erecting a separate sub-shrine for Candesa or Candikesvara, close to the main shrine of Siva, became common since the days of Rajaraja I. The placement of Candesa shrine close to pranala (pipe that drains out water after abhisheka, pouring water or milk on the idol) from Siva shrine is significant because Candesa is entitled to all the offerings made to God Siva. This mirrors identification of Cola ruler with Candesa, who as the dearest devotee of Siva deserves a place as close as possible to his Lord.

Architecture of Airavatesvara temple at Darasuram:-


As originally Airavata worshipped the Lingam, the Lingam is named after him as Airavateswara. The Goddess in this temple is known as Deva Nayaki. Whatever remains of the sculptural part of the temple is on the inside wall of the outer prakaram, about a foot from the floor level. 'The carvings contain different poses of gymnastic feats we see in modern circus, shown by females keeping their head at the centre and legs interwoven in such a skilful way as to form the circumference of a circle. It may be a depiction of the present-day gypsy tribe entertaining villagers with skilful gymnastic shows and dancing poses. Such gypsies are still to be seen visiting the interior villages of the country. Very many styles of physical feats shown by both men and "men have been carved an stone.



The main mantapa is called Raja Gambira as the elephant draws the chariot. The wheels were put back by the ASI at a later date. The ceiling has a beautiful carving of Shiva and Parvathi inside an open lotus. All the dancing poses of Bharatanatyam are carved in the stone. They are referred to as the Sodasa Upasaras. There is a carving showing the village womenfolk helping in the delivery of another female, who has both her hands on the shoulders of the two ladies, who are pressing their hands and the abdomen of the lady to help her deliver. 'These are very skillful and artistic works of superb style. This may give a glimpse into the social conditions of the past. The stone image of Ravana carrying Kailas is a fine specimen of workmanship. One finds sculptures of Buddha, Bhikshatana, Saraswathi without her Venna, and a sculpture of Ardhanarishwara Brahma and Surya.



All the dancing poses of Bharatanatyam are carved an stone. There is a carving showing the village womenfolk helping in delivery of another female, who has put both her hands on the shoulders of the two ladies, who are pressing their hands an the abdomen of the lady to help her deliver. 'These are very skilful and artistic works of superb style. This may give a glimpse into the social conditions of the past. The stone image of Ravana carrying Kailas is a fine specimen of workmanship.


At the very entrance to the temple two Dwarapalakas, Sankhanidhi and Padmanidhi, are imposing figures, giving vivid anatomical expressions of the exuberance of youth. In front of the temple, there is a small mandapa, which can be reached by 3 steps in the form of a ladder. The steps are made of stones, which give different musical sounds when tapped All the seven swaras can be had at different points. If proper care is not taken the village children will spoil the stones soon.


It is feared that if proper care is not taken soon, village children will damage the stones. Now these stone steps have been completely covered with metal grills to save them from deterioration. Meanwhile Archeology department has taken many steps to prevent this monument from public viewers and local villagers.

Yama:-

 It is said that the King of Death,Yama also worshiped Shiva here. Tradition has it Yama, who was suffering under a Rishi's curse from a burning sensation all over the body, was cured by the presiding deity Airavatesvarar. Yama took bath in the sacred tank and got rid of the burning sensation. Since then the tank has been known as Yamatheertham.
his temple is a storehouse of art and architecture and has some exquisite stone carvings. The Vimanam (tower) is 24 m (80 ft) high The south side of the front mandapam (pillared hall) is in the form of a huge chariot with large stone wheels drawn by horses.The pictures speak volumes about the temple and the exquisite amazing & awesome art & architecture of this temple.

How to Reach:-

By Road:-

Thanjavur has good road links to all the major cities in Tamilnadu and neighboring states.

By Rail:-

Trichy Junction is the nearest railhead to Thanjavur(58km). Tiruchy Junction is an important railway station in Trivandrum

By Air:-

The nearest airport to Thanjavur is Trichy international airport ataround 58 km away.